Meditations
From Menletter July 2003 By Tim Baehr I
want to talk about two kinds of meditation that go beyond the simple sitting
meditation or walking meditation. The two experiences I want to tell you
about involve your imagination. They
may or may not be for you; I've found them beneficial. 1 Tonglen
One
form of Buddhist meditation is called tonglen; it
comes from a Tibetan word that means "giving and taking." Tonglen is a kind of healing meditation carried out on
behalf of someone who is suffering. It involves awareness of the breath, as
does almost all meditation, but it also involves the use of imagery -
sometimes disturbing imagery. It's
hard to imagine how sitting in quiet meditation can help another person; in
our traditional "western" minds, it seems like magic or wishful
thinking. There is no deity who can intervene or perform miracles. A
useful concept might be that tonglen meditation is
a way of dissolving the barrier, the separation, between us and the suffering
of other people. It can benefit us by making us more compassionate. And that
compassion can in turn benefit others. Here's
a brief how-to. Sit
comfortably and take a few deep breaths. As your breath returns to normal, be
aware of it entering and exiting your nostrils. If random thoughts flood into
your mind, don't fight them. Just let them pass through you like clouds. When
you have gotten to a fairly calm and easy state, imagine yourself as two
beings: the one sitting in meditation and the "you" that suffers in
the world. Identify some aspect of that suffering, or just the suffering in
general and imagine it as a dark cloud. Breathe in this cloud on your next
breath, and breathe out clear, golden light. No,
I don't have this backwards. In some kinds of meditation we are asked to
breathe in light and breathe out our darkness. But what you're doing here is
taking in the suffering and transforming it. The dark cloud of suffering
can't harm your meditating self, no matter how good your imagination is! It
is "poison" only in the sense that it can break down the shell
around your heart - your sense of separation from yourself and others. Now
direct your attention to someone who is suffering. Breathe in that person's
dark cloud of suffering. Breathe out clear, golden light. Repeat. Repeat.
Repeat. What
should happen; what should you feel? I don't think there's any
"should" about it. Whatever happens,
happens. But you may feel some compassion, some growing sense of peace. If
you like, you can expand your focus to all of humankind and its suffering. "Instant"
tonglen I've
found that there are occasions when I'll do a kind of on-the-spot tonglen. Sometimes it's when I see an ambulance go by or
a MediVac helicopter fly over. Or when I encounter
a traffic accident. And sometimes it's just when someone cuts me off in
traffic. It's easy to get mad or even enraged when that happens. And (has it
happened to you?) that bad feeling can last all day. But one deep breath,
dark cloud in and brightness out, and the matter is
forgotten. The breath gives me a short pause to dissipate the adrenalin
before it festers into anger. The dark cloud helps me be mindful of the
alternate interpretations (other than the other driver is an asshole):
preoccupied, inattentive, late for an appointment,
grieving, and so on. Or merely selfish - but that's a burden, too. Practice I
can't say that I do tonglen every day, or even once
a week. But that may change. The potential benefits, of this giving and
taking, to myself and to my fellow humans, are too
good to pass up. I hope it will become a regular practice. 2 Guided Meditation
Last
Sunday I led a guided meditation into the deep masculine, for sixteen men
attending a drumming circle. Guided meditations, or visualizations, are a way
to visit a different reality. They're journeys into the soul, perhaps, or
into a usually-unseen place that's as close as the next breath. Background I
came to this meditation because I had been struggling with the fate of men in
this society. My life's not too bad; in fact it's quite good. But I had been
thinking about the fact that, over the past twenty years or more, and after a
half-dozen or so books on men's issues, things hadn't changed much. We still
live in a society that makes being a man unrewarding, dangerous, and often
lethal. You
all know the basic facts: We die seven years younger than women. Women want
equal rights, but not the right to work in the death-and-danger jobs. Our
prostate cancer rate, at one-in-six, is higher than the breast cancer rate,
at one-in-nine (yet there's comparatively little money for research and
education). Most prisoners are men. Most victims of violence are men. Most
suicides are men. Just about the only socially acceptable "bashing"
humor is against men. Men get much of the blame for their lot, but the same
patriarchy that has been protecting women has failed to protect men
(industrial safety inspectors are outnumbered by fish-and-game wardens
six-to-one, for instance). And militant, influential feminists have been
misusing and distorting facts about men and women for years. Playing
the victim card ourselves won't work. Even the use of the term "men's
issues" has been known to get feminists snorting with derision and
walking out of the room. Starting a "movement" is an interesting
alternative, but the early notoriety of the "men's movement" in the
late '80s and early '90s damn near killed it as the media co-opted it and
held it up to ridicule. Besides, I think almost any revolution begins to corrupt
itself and die the minute it begins to succeed. So,
what is there to hope for? I
had already concluded, in the very first of this series of newsletters, that
we may be in a slow, evolutionary process that could take generations. But I
was frustrated. My friend John Dore, when he heard of my struggle, said yes,
it may take a long time. And what we can do is reach one man at a time. Then
I started realizing that men aren't under attack by society so much as
masculinity is. And we've been taught in the past two decades to devalue our
masculinity and become "soft" (or even feminized) men or to engage
in backlash and parade our masculinity as a kind of grotesque self-parody.
But the masculinity we're born with - the deep stuff - is still there no
matter what. So
I started composing a meditation to tap into this deep masculine. I mentioned
it to Ron Kearns, at whose house we do a drumming circle, and he reminded me
that Allan Chinen, in "Beyond the Hero,"
had explored the deep masculine. Chinen says that the deep masculine is most readily available to older
men, who are ready for a second initiation from warrior into an elderhood that is marked by the Trickster/Shaman
archetype. But I think we can see the deep masculine also in young boys before
they've been tamed by mothers and a mostly female-oriented educational
system. They're sort of junior wild men, tiny Iron Johns, tricksters in
diapers. So
a meditation can, possibly, get a man of any age into contact with the deep
masculine. And maybe carrying this awareness can be useful as we meet today's
challenges. This
is a bit of an experiment: I don't know how a guided meditation translates
into print. I suggest you read it through slowly, giving yourself time to let
the images form. Later on, you can do this meditation in your mind, without a
script, changing any details that didn't work for you. The
meditation Here's
the meditation, not exactly word for word (I did it from rough notes, and
I've modified it a bit based on feedback from the men). It's my attempt to
reach one man at a time. Get
into a comfortable position. Take a few deep breaths. Now I invite you to
become aware of your body by breathing, first, into your feet.... Now into
your legs.... With each breath, we will breathe into a different part of the body, and
relax it. Breathe
into your groin. Feel how your sex organs are settled into your pants.
Breathe into your waist; feel the tightness of your belt. Breathe into your
stomach...your chest...your shoulders. Notice if you're tensing your
shoulders into a shrug.... Let your shoulders drop. Breathe into your
arms...and down into your hands. Breathe into your neck, relaxing your tongue
if you find it glued to the roof of your mouth. Breathe into your face,
feeling the mask you wear softening, relaxing. Now
breathe back down into your groin. Think about what makes you a man. That's
where the energy is for this meditation. Imagine
that you are leaving the building you're in, and taking any of the several
paths away from it. Then imagine that this path leads into the woods, and as
soon as you're in the woods you are no longer in this time or this place. You
are a boy or a young man, and you are where you are meant to be - outdoors,
feeling the breeze on your face, smelling the trees, hearing the birds. You
walk along for a while like this, enjoying yourself. Up ahead there's a curve
in the path, and as you round the curve you see a beautiful castle of white
stone. There's even a moat around it. As
you get closer to the castle, you notice that the drawbridge is down over the
moat, and you can go inside. You
cross over the moat and find yourself in a great hall. It is dim inside, but
you can make out rich paneling lining the walls. Off
to one side is a doorway with a sign over it: "Only Men." You go
inside. In this side room is a picture gallery of men who are usually
considered heroes: soldiers, cops, firefighters. But you notice that there
are also some anonymous-looking men in dungarees or overalls and hard hats:
sewer workers, lumbermen, janitors, window washers, farmers, and other men
with dirty faces and dirty hands. And you notice also some fallen heroes:
Gandhi, Martin Luther King, and others. Why
this strange mix of characters? You go outside and look at the sign:
"Only Men." Does it mean "Only men can do these things?"
or "These are expendable - disposable - because they are only men"? You
turn away from the doorway - you don't want to go back inside - and notice
that the great hall has filled with people, mostly women. There
are different groups. Some are mothers. Some are teachers. Some are
feminists. Some are wives. Some look like your counterparts in the working
world. Each one has something to say. The
mothers say, "You're dirty and messy and loud; all little boys are like
that." And you feel anger and shame. The
teachers say, "Stop squirming! Sit down! Be quiet! Why can't you behave
like the girls?" And you feel anger and shame. The
co-workers say, "Don't even think about being friendly with me, or I'll
get you fired for harassment. You men are all alike." And you feel anger
and shame. The
feminists have even more to say: "All men are rapists. Husbands are just
marital rapists. Men who have 'issues' are wusses.
The patriarchy power elite includes all men. Down
with the patriarchy! 'Men's studies?' That's just the male-dominated history
of the world!" On and on they rant. And you
feel anger at the lies and shame that you have nothing to say. The
wives say a lot of different things. You may hear mostly loving things, or
you may hear some things like "I do all the work around the house; you
do nothing for the family." "Give me the baby; you have no idea
what you're doing." "Not tonight. I have a headache."
"You men are all alike - beer and sports on TV." "Where's your
paycheck?" "Look what I bought." "You never express your
feelings." "I'm taking the kids - and the house." "Take
out the garbage." "Climb this ladder." "Why are you
always working late?" "Do I have to do everything around
here?" You feel inadequate; you feel shame. Off
in a corner is a bunch of women talking and laughing among themselves.
As you approach the group, they stop talking and look at you. As you walk
away, you can hear them continue with their man-bashing jokes. And you feel
anger and shame. You
return to the center of the hall and look around you. This is the hall of
shame. Deep
in the shadows you can make out some men, mostly wearing expensive suits or
military uniforms. Without approaching them, you know: these are advertising
executives, CEOs, military brass. Their job is to profit from serving women's
interests - their spending power and their traditional need to be protected.
They have no shame; you are ashamed for them. You're
beginning to get dizzy with despair. Is there no escape from this hall of
shame? Suddenly
you sense someone at your elbow. You begin to whirl about angrily when you
notice that it's a man in a clown suit and a jester's hat with bells on it.
He smiles and points to the far wall. Over there you can just barely make out
in the rich paneling the thinnest possible crack of daylight. The
jester takes you by the arm and guides you to the far wall. He touches the
paneling in a secret place, and it opens. You
blink. Out this back door of the castle is a meadow, bright in the afternoon
sun. And the meadow is filled with men! Some
are building things, in small and large crews. Some are playing sports,
laughing and joking. Some sit quietly and talk. The jester introduces you to
a couple of the men. And you see it in their eyes: total acceptance. Of
themselves as men. Of you as a man. And suddenly you know: the masculinity
you were born with is intact. And strong. And honored. You
look around some more. At the edge of the meadow, hidden by the trees, are
some other people, mostly women. The women are the some of the same ones you
saw in the hall of shame. But everyone at the edge of the meadow has a look
of love on their faces. These are the women who can see and honor your
masculinity. One
of the men smiles and touches you on the chest. Deep inside your chest, where
you didn't know it was there, you can feel a huge scar begin to soften and
dissolve. He reaches behind him and pulls out two gifts for you. The
first is a disguise. Some disguise! It looks just like you! You put it on and
realize that the disguise is your public, social man-face, hiding and
protecting your deep masculinity. The
second gift has no physical form or substance. It is compassion. You turn
your mind's eye to this gift, exploring it a little. The compassion extends
outward to the men in the meadow. This feels natural. But you notice that it
also extends back to the castle and the hall of shame. The
only way home is to go back through the castle. But now you have three
protections: the jester, the disguise, and your compassion. As you pass
through the hall of shame, you don't interact with the women there, but you
know you'll meet them in your everyday world. And through your compassion,
you can see that many of them were not speaking with their own voices. Now
you're on the drawbridge. Your jester bids you good-bye; he has other men to
guide. But you notice that your disguise and your compassion are really
aspects of the jester. You
return along the path to where you started. You find yourself sitting
quietly, slowly returning to the ordinary world you left. ©Copyright 2003 by Tim Baehr |