Menletter #5 for August 2002

DRUMMING AND POETRY

One very worthwhile activity for men in greater Boston (and a bit beyond) has been a drumming and poetry circle, held about every six weeks. I was talking about this to a friend, who said "I'm not much into drumming." Case closed, or so I thought.

 

But on second thought, I began to wonder if there were some misconceptions. So let me make some things a bit clearer, just in case.

 

First, there's nothing fancy or intricate about the drumming. Some guys have taken lessons and are pretty good (or even excellent) at laying down rhythms and embellishing them. But anyone can play. Nobody's keeping track of who's keeping the beat or whether an individual's drumming sounds "pretty." The overall effect is a weaving of rhythms, usually in time with our heartbeats, that brings us into a place of fellowship and out of the ordinary world.

 

Second, the drumming isn't particularly noisy. I don't think most men would find it excessively loud. For one thing, we're all listening to each other; playing too loud would drown out the overall sound.

 

Third (and this applies to both drumming and poetry), we practice "radical choice." This means that drumming and poetry participation is strictly optional. You can sit and listen, meditate, wander outdoors, read a book. That's the "choice" part. The "radical" part is that no one will ever think badly of you or hassle you to join in. Your mere presence in a group of men is enough for everyone.

 

Fourth, the poetry we share may be stuff we've written or stuff from published sources. This is not a poetry contest, and there are no prizes for literary quality or dramatic reading ability! When something comes from the heart, no matter how it's worded and no matter how it's delivered, you'll see men nodding or even hear them grunting in recognition and appreciation. If you choose to share a poem, whatever its source may be, you may be speaking for some or even all of the men in the room - and beyond.

 

Our drumming and poetry circles could be called "Hang out with the men" circles. Drumming and poetry are just something we do when we're hanging out.

 

We usually start out by purifying the space with sage incense and/or a bell. We go around the circle to give men a chance to invite other men, usually ancestors, to join the group. We drum. We read. We drum. We read. A poem will sometimes remind a man of another poem, and he'll go leafing through his notebook to find it. We often end by saying good-bye to the spirits we have invited to join us and then breaking the circle. Sometimes we have a pot-luck dinner afterwards.

FEATURE

Favorite Books

I've been a "self-actualization" book junkie for at least three decades. The category, for me, was very broad, including stuff like Robert Ringer's "Looking Out for Number One," Robert Townsend's "Up the Organization," the Castaneda books ("Teachings of Don Juan," "Separate Reality," "Journey to Ixtlan," etc.), religious books, books of sayings, and so on.

 

I would read a book and then become a royal pain in the ass to my family for the next six months as I tried to put its ideas into practice, or simply spout off its ideas at the dinner table.

 

Can you become a better person by reading a book? It's an interesting question. The authors of many of the books had been transformed by some life experience and were trying to pass on the wisdom they had gained. But how do you transform yourself vicariously? As sincere as many of the books were, there was a bit of perhaps unintended cynicism involved. "I found out the hard way. Read my book to discover the easy way." We know in our gut that sometimes the hard way is best.

 

Over the years, I discovered some common threads woven through most of the books. Many of them didn't come right out and say so, but here's what I gleaned from them:

 

You get what you give, but not always in the same form you gave it and often with a long time interval. This includes both good and bad.

 

Attitude counts. Your motivation for doing something may be more important than what you do.

 

Things are not always what they seem.

 

Your past is not your destiny.

 

Happiness is elusive as a direct goal; contentment is possible by being able to sort out your wants from your needs.

 

There is a realm beyond ordinary existence.

 

Here are the very mixed and partial contents of my literary medicine bag. I won't give publishing details or authors; most of them are still in print and you can find them - along with reviews - at Amazon.com.

 

  Winning Through Intimidation

  Looking Out for Number One

  Up the Organization

  Life 101

  The Little Book of the Human Shadow

  Most of the Castandeda books

  Lord of the Rings trilogy

  Hitchhiker's Guide to the Galaxy (and sequels)

  Iron John

  Men and the Water of Life

  The Monk and the Philosopher

  The Essential Rumi

  Night and Sleep

  The Kabir Book

  Rag and Bone Shop of the Heart

  The Four Agreements

  The Relaxation Response

  The Elements of Style

  Zen and the Art of Motorcycle Maintenance

  Are Your Lights On?

 

There are many more; the point of this exercise (and I recommend it to you) is to remind myself of two things: (1) I've learned a lot from reading; (2) there are just a few simple themes in all of what I've read. Also, given the way I read and re-read some of these books, I'd add a third: (3) I'm a slow learner.

 

What are your favorite books? How have they changed your life, if at all? What kind of trouble did they get you into? Is there a book you need to re-visit? How different is it on second or third reading?

ESSAY

Your Game Face

Athletes put on "game faces" and use visualization techniques to improve performance. I always thought it was a technique they used to psych themselves up and to intimidate the other team with a fierce scowl. Maybe there's a bit more to it.

 

An article in a recent New Yorker magazine tells about a couple of guys who were doing research on facial expressions. Their original purpose was to catalog all the possible facial expressions and their meanings. They wanted to see, among other things, whether the meainings of facial expressions were universal across cultures (they are). Their technique included viewing endless hours of film and videotape, and also making faces at each other. This latter technique wasn't so random as it sounds: they cataloged the muscle groups in the face and made their faces based on combinations of particular muscle contractions. When they couldn't make a particular contraction (genetically, not everyone can raise one eyebrow, for instance), they visited a phyisiology lab and had the muscle twitched with an electrode.

 

One day, after making sad and anguished faces at each other, the two researchers discovered that they felt like shit. Further investigation indicted that facial expressions are not only the mirrors of mood, they could cause moods in the first place. For example, two groups of people looked at cartoons. One group held a pencil between their lips, which prevented them from smiling. The other group held a pencil between their teeth, which forced a smile. The pencil-in-teeth group rated the same set of cartoons funnier.

 

Remember when Mom said, "Don't make that ugly face at me - it'll freeze that way." She may have been right! Make the awful face - feel shitty - keep making the face - feel shittier. Until the whole thing becomes a habit.

 

So, I've been trying to smile more, even when I don't "feel" like it.

 

There are other faces to make, too, that might be helpful in getting through life - or the day. For example, think of a time when you were enveloped in total contentment. Maybe it was after a meal, or after playing with your kids, or at the end of a long run, or love-making, or...well, you get the idea. What kind of face were you "wearing"? Can you make that face now, especially when you're remembering that happy time? Can you make that face when someone has just cut you off in traffic, or when your boss has left your office after a dressing-down? Would it work? I don't know, but I think it's worth a try. I think I now understand the athlete's "game face."

 

Copyright notice

All original materials are (c) Copyright 2002 by Tim Baehr. All rights reserved. All signed materials are copyright by their respective authors.

 

Warranty

I am not responsible for the contents of Web sites I list or recommend.

 

Personal correspondence:

Tim Baehr

tbaehr@aol.com